pulse: reviewing structurally complete song
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# pulse under latent semantic envelopes
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*(WIP. Description and pieces only now)*
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*Lyrics as well as the process of how it became like this*
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## Lyrics, in full
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Surface.
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The equilibrium of silence between the static magnetic noise, the watery planes, and the optical waves.
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Blurred and mangled electronic signs over the outbound atmospherical leeway.
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Distant stations estimated in abnormal heat perform the inconsistent collimation rite.
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Dive.
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The black screen of stalemate conceals the massive stars, the charred comets, and the meteorites.
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Their questionable glitters, once emissions of brave borderers and dark adventurers,
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now the only traces, obscured and indifferent to all but those with a special breed of faith.
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The noise floor of a receiving environment is the aggregate of all background signal energy present across a given frequency band at any instant. In urban contexts, primary contributors include electromagnetic emissions from power distribution infrastructure, wireless communications networks, and consumer electronic devices. The noise floor is not centrally coordinated; no single source generates it. It emerges from the cumulative output of many independently operating transmitters, each functioning within its own parameters, whose combined effect is persistent and largely uniform. Under standard conditions, this background level is treated as a fixed baseline rather than a variable of interest. Signals whose amplitude falls at or below this baseline remain physically present in the medium but cannot be distinguished from the background by a receiving system, and are not considered recoverable.
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An impulse signal, also referred to as a unit impulse, is defined as a signal with zero value at all points in time except a single instant, at which its value is notionally unbounded, subject to the constraint that its total integrated area equals unity. In practice, true impulse signals cannot be physically produced; they are approximated by short-duration, high-amplitude pulses of sufficient bandwidth. The impulse response of any linear time-invariant system — that is, the output produced when an impulse is presented as input — fully characterises that system's behaviour under any subsequent input. In the absence of any input, a system at rest produces no output and exhibits no properties that distinguish it from any other inactive system. From a single impulse and its measured response, the complete transfer function of the system can be derived.
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Subdued sonic scalars vectorise
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Acoustic aberrations dissipate
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Isotropic funnel strikes a packet rain
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Fine-grained bags of acks ground astray
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Ocean as a desert buries all of its life
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Deck the shell with a perfect thermocline
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Curtain shut before the Fresnel bights
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Plasma buildup swells your rover's thighs
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particulate pressure plagues across a landlocked island
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ultraviolet utilitarian paints every third crag bland
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lossy lies lament the ludicrous lawful liberty
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siren sounds soaken in the sauna of substantiality
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essential sentiments leave unbidden perpetually
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## Planning area
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@@ -35,6 +70,8 @@ Literally, there can be long, essay-like, paragraphs (not too many) with structu
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## Construction zone
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The first locked in draft version of the song. Things get developed even after this version.
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```cpp
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// Opener
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Surface.
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@@ -79,13 +116,13 @@ Plasma buildup swells your rover's thighs
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// ending verse(s) before the painfully long instrumental outro
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// P:
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particular pressure plagues across a landlocked island
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particulate pressure plagues across a landlocked island
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// U:
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ultraviolet utilitarian paints every third crag bland
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// L:
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ludicrous lies lament the lawful liberty
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lossy lies lament the ludicrous lawful liberty
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// S:
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siren sounds soaked in the sauna of substantiality
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siren sounds soaken in the sauna of substantiality
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// E-S-L-U-P:
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essential sentiments leave unbidden perpetual
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essential sentiments leave unbidden perpetually
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```
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