# Codename 206

*Called 206 because the Peugeot 206 has a 'maxi' variant. You'll know this is a Maximizer knockoff if you can follow that trail of thoughts.*  
Multiband Compressor / Limiter VST3 — Project Plan  

## Overview
 
A VST3 multiband compressor/limiter with a custom gain curve display, inspired by FL Studio's Maximizer.  
Built with **Rust** + **NIH-plug** (VST3 + CLAP output) + **egui** for the UI.  
 
**Goals:**  
- 3-band (configurable crossover points) compressor/limiter  
- An 'All' aggregate channel: a 4th comp/lim stack on the summed bands, so bypassing all bands turns the plugin into a simple full-band compressor (mirrors FL's Maximizer)  
- Look-ahead brickwall output limiter with true-peak detection  
- Real-time gain reduction metering per band  
- Custom gain curve visualiser  
- Fully resizable vector UI  
---
 
## Tech Stack
 
| Layer | Choice |
|---|---|
| Language | Rust (stable) |
| Plugin framework | [NIH-plug](https://github.com/robbert-vdh/nih-plug) |
| Plugin formats | VST3, CLAP |
| UI framework | egui (via `nih_plug_egui`) |
| Build tooling | `cargo xtask bundle` |
 
---
 
## Signal Flow
 
```
Input
  └─ Crossover filterbank (Linkwitz-Riley LR4 @ each crossover freq)
       ├─ Band 1 (low)   → look-ahead delay → compressor VCA → gain stage ─┐ (bypassable)
       ├─ Band 2 (mid)   → look-ahead delay → compressor VCA → gain stage ─┤ (bypassable)
       └─ Band 3 (high)  → look-ahead delay → compressor VCA → gain stage ─┤ (bypassable)
                                                                           │
       Sum of bands ◄──────────────────────────────────────────────------┘
         └─ 'All' channel → look-ahead delay → compressor VCA → gain stage
              └─ output brickwall limiter (true-peak, 4x oversampled) → output
```
 
The detector for each band reads `look_ahead_ms` ahead of the VCA, so gain reduction is already ramping when the transient arrives.

**The 'All' aggregate channel** (mirrors FL's Maximizer): the three bands are summed and the
result passes through a *fourth*, full-band compressor/limiter stack before the output limiter.
Because the LR4 filterbank sums phase-coherently flat, **bypassing all three bands leaves the
summed signal identical to the input** — so the plugin collapses into a plain single-band
compressor/limiter driven entirely by the 'All' channel. That makes "multiband off = simple comp"
a first-class mode, not an afterthought.
 
---
 
## DSP Architecture
 
### Crossover Filterbank
- Linkwitz-Riley 4th-order (LR4) filters at each crossover frequency
- LR4 = two cascaded biquads (Butterworth LP or HP)
- Bands sum phase-coherently back to flat
- Crossover frequencies are user-adjustable parameters
### Per-Band Compressor
- Level detection: switchable RMS / peak, with configurable window
- Gain computer: threshold, ratio, soft knee
- Attack / release envelopes (logarithmic ballistics)
- Makeup gain per band
- Look-ahead: circular delay buffer on the audio path; detector reads ahead
### 'All' Aggregate Channel
- Structurally **identical to a per-band compressor** — reuse the same comp/lim code/params, just fed the summed signal instead of a filtered band
- Runs after the three bands are summed, before the output brickwall limiter
- Bands are individually bypassable; with all three bypassed the (phase-coherent) crossover sum equals the dry input, so the 'All' channel alone acts as a full-band comp/lim
- Has its own look-ahead delay; total reported latency = max(band look-ahead) + 'All' look-ahead
### Output Limiter
- True-peak brickwall (ceiling = 0 dBFS or user-defined)
- 4x oversampling for inter-sample peak detection
- Short attack (≤ 0.1 ms), auto-release
### Latency
- Look-ahead duration must be reported via `Plugin::latency()` for DAW compensation
- All bands use equal delay to preserve phase alignment
---
 
## Parameters
 
### Global
- `input_gain` — pre-gain before filterbank (dB)
- `output_ceiling` — brickwall ceiling (dBFS, default 0.0)
- `look_ahead_ms` — look-ahead time (0–10 ms)
- `crossover_low_hz` — low/mid crossover frequency
- `crossover_high_hz` — mid/high crossover frequency
### Per-Channel Compressor (× 4: low, mid, high, **all** — one `#[nested]` params struct reused)
- `threshold_db`
- `ratio` — 1.0 (off) to ∞ (limiting)
- `attack_ms`
- `release_ms`
- `knee_db` — soft knee width
- `makeup_gain_db`
- `bypass` — per-channel bypass (bypassing low+mid+high = simple full-band comp via the 'all' channel)

The 'all' channel uses the same struct so its UI and DSP are identical to a band; it just sits after the band sum.
---
 
## Project Structure
 
```
src/
  lib.rs            # Plugin entry point, implements Plugin trait
  params.rs         # Params struct with NIH-plug #[id] attributes
  dsp/
    mod.rs
    crossover.rs    # LR4 filterbank (biquad chains)
    compressor.rs   # Per-band compressor + look-ahead
    limiter.rs      # Output true-peak brickwall limiter
    biquad.rs       # Generic biquad filter (Direct Form II transposed)
    delay.rs        # Circular buffer for look-ahead delay lines
    oversampler.rs  # 4x oversampler for true-peak detection
  editor/
    mod.rs          # egui editor setup via nih_plug_egui
    widgets/
      gain_curve.rs # Custom egui Widget: gain curve display
      band_meter.rs # Per-band gain reduction meter
      level_meter.rs# Input/output level meter
```
 
---
 
## Build Steps
 
The project is already scaffolded (NIH-plug + nih_plug_egui, pinned to a fixed git rev in
`Cargo.toml`). You do **not** need the Steinberg VST3 SDK — NIH-plug bundles its own bindings.

**Prerequisites (Windows):**
- Rust stable (`rustup` — `winget install Rustlang.Rustup`)
- Visual Studio 2022 with the "Desktop development with C++" workload (provides the MSVC linker)

```powershell
# Build + bundle the VST3 and CLAP
cargo xtask bundle codename_206 --release
# Output: target\bundled\Codename 206.vst3  and  Codename 206.clap
```

### Deployment

FL Studio scans `C:\Program Files\Common Files\VST3` by default, **ignores directory junctions**
(so a symlinked bundle is invisible to its scanner), and caches failed scans. So deployment must
copy a *real* bundle into a folder FL scans, then FL must be told to rescan failed plugins.

Use the provided script (no need to remember the details):

```powershell
.\deploy.ps1            # build, then copy to the global VST3/CLAP folders (one UAC prompt)
.\deploy.ps1 -SkipBuild # reinstall the last build without rebuilding
.\deploy.ps1 -User      # copy to %LOCALAPPDATA%\Programs\Common\VST3 instead (no admin) — best for a dev loop
```

`deploy.bat` is a double-click wrapper around the same script.

After deploying, in FL Studio: **Options → Manage plugins → tick "Rescan previously failed
plugins" → Find installed plugins**, then search for **Codename 206**. (The rescan-failed step
is essential — without it FL silently skips a plugin it has seen before.)
 
---
 
## Implementation Order
 
Work through these stages in order — each stage produces a loadable, audible plugin.
 
### Stage 1 — Skeleton plugin
- [ ] NIH-plug "passthrough" compiling and loading in DAW
- [ ] `Params` struct with all parameters declared (no DSP yet)
- [ ] `process()` passes audio through untouched
- [ ] Verify plugin loads and parameters appear in DAW
### Stage 2 — Single-band compressor (no look-ahead, no UI)
- [ ] Implement `biquad.rs` — generic biquad, Direct Form II transposed
- [ ] Implement basic RMS level detector
- [ ] Implement gain computer (threshold, ratio, knee)
- [ ] Implement attack/release envelope on gain reduction
- [ ] Wire into `process()`, test with a sine sweep
### Stage 3 — Crossover filterbank
- [ ] Implement LR4 LP and HP biquad chains in `crossover.rs`
- [ ] Verify bands sum flat (null test: sum vs dry should be silence)
- [ ] Add per-band bypass; with all bands bypassed, output must null against dry (proves the "simple comp" mode path)
- [ ] Apply per-band compressor to each band
- [ ] Sum bands back together
- [ ] Run the summed signal through the 'All' channel comp/lim (reuse the per-band compressor) before output
### Stage 4 — Look-ahead + brickwall limiter
- [ ] Implement `delay.rs` circular buffer
- [ ] Wire look-ahead: detector reads N samples ahead of VCA
- [ ] Report latency via `Plugin::latency()`
- [ ] Implement `oversampler.rs` (4x, use a polyphase FIR or windowed sinc)
- [ ] Implement brickwall output limiter with true-peak detection
### Stage 5 — Basic egui UI
- [ ] Add `nih_plug_egui` editor
- [ ] Knobs / sliders for all parameters
- [ ] Per-band bypass toggles
- [ ] Confirm UI controls update DSP in real time
### Stage 6 — Custom visualisations
- [ ] `level_meter.rs` — input/output RMS + peak meters
- [ ] `band_meter.rs` — per-band gain reduction meters (vertical bars)
- [ ] `gain_curve.rs` — static gain curve display per band (threshold/ratio/knee)
- [ ] Draggable crossover handles on a frequency display
---
 
## Key Implementation Notes
 
### No allocations in `process()`
Rust's borrow checker will help, but be explicit. All buffers (delay lines, filter states)
must be pre-allocated in `initialize()`. Use `assert_process_allocs` feature flag during
development to catch violations.
 
### Denormal flushing
Add `#[cfg(target_arch = "x86_64")] std::arch::x86_64::_MM_SET_FLUSH_ZERO_MODE(...)` in
`initialize()`, or add a small DC offset (1e-25) to filter inputs.
 
### Parameter smoothing
NIH-plug provides `Smoother` — use it for all gain/threshold params to avoid zipper noise.
 
### Thread safety
Params are atomics. The editor and audio thread communicate only through params and
`Arc<Mutex<...>>` meter data. Never pass DSP state to the UI directly.
 
### VST3 licensing
You must accept Steinberg's VST3 SDK licence before distributing VST3 binaries.
NIH-plug's VST3 bindings are GPLv3; if you distribute, the plugin must also be GPLv3
(or you need a commercial Steinberg licence). CLAP has no such restriction.
 
---
 
## Reference Material
 
- [NIH-plug repo](https://github.com/robbert-vdh/nih-plug) — read the `plugins/` examples first
- [NIH-plug docs](https://nih-plug.robbertvanderhelm.nl/)
- [Cookiecutter template](https://github.com/robbert-vdh/nih-plug-template)
- [egui docs](https://docs.rs/egui)
- Zölzer, *DAFX: Digital Audio Effects* — biquad filter cookbook
- Giannoulis et al., "Digital Dynamic Range Compressor Design" (JAES 2012) — compressor ballistics reference
- AES paper on true-peak limiting / inter-sample peaks (ITU-R BS.1770)